Category Archives: Copyright Troll Attorneys

RIGHTSENFORCEMENT (New MPAA Movie Companies Gone Copyright Troll)

RightsEnforcement.com (Carl Crowell and his ilk) have been quiet lately as far as the DMCA notices go, but the movie lawsuits press on. Now they have NEW MOVIE TITLES that they will be suing on in the coming weeks and months.  It is worth mentioning that since I began writing about RIGHTSENFORCEMENT (I have to put their name in caps since it just looks awkward when writing it out), the company got quiet — not because of me or anything I wrote on the topic — but now I understand that they were spending their time continuing the Voltage Pictures business model and obtaining new contracts with new movie companies with the intent of ‘enforcing’ or suing John Doe Defendants who download those films (and as always, recruiting new ISPs to send their DMCA notices, whether by force or by ‘carrot and stick’).

RIGHTSENFORCEMENT.com | Screenshot 1

RIGHTSENFORCEMENT represents a ‘common troll’ entity which enforces the copyright rights of other companies who contract with it.

QUICK BACKGROUND: HOW THE SCHEME WORKS.

How I understand this works (source: Dallas Buyers Club lawsuit against copyright trolls Voltage Pictures, Inc., a.k.a., Dallas Buyers Club, LLC).  A common troll entity (e.g., Voltage Pictures, Guardaley, MPAA, whoever) contacts the production company for some failed movie that did not make expected profits in the theater.  They license the rights to enforce the copyright owned by that movie company.  This “common troll” entity would then set up shell entities masquerading as the movie company.  These shell entities are LIMITED LIABILITY COMPANIES, which means that if there is a lawsuit against them, or if they get hit for damages, the damages are limited to the limited liability company itself, and not the criminals ‘behind the veil’ of these companies.

This shell entity files multiple “John Doe” lawsuits across the US using German Company Guardaley (and it’s US shell company counterparts) to provide “expert evidence” that copyright infringement happened via the bittorrent networks.  They ask the federal judges to unmask the identities of the ISP subscribers who were assigned the IP address which was involved in the bittorrent lawsuit, and they contact that defendant and ask for a multi-thousand dollar settlement for the ‘loss’ they suffered because of their download.

What movies will this ‘common troll’ sue for in the future?

Some of the new movies on the RIGHTSENFORCEMENT Client List are:

  • Larceny (with Dolph Lundgren, “I will break you.”)
  • I Am Wrath (with John Travolta)
  • Vengeance (with Nicolas Cage)
  • USS Indianapolis (with Nicolas Cage)
  • Rage
  • Rumble
  • Undisputed 4
  • A Tale of Love and Darkness

RIGHTSENFORCEMENT.com | Screenshot 2

  • Bedeviled
  • Christmas All Over Again
  • Killer Joe
  • Lady Bloodfight
  • Maximum Conviction
  • Navy Seals: The Battle For New Orleans
  • Playing Cool
  • The Company You Keep

RIGHTSENFORCEMENT.com | Screenshot 3

RIGHTSENFORCEMENT.com | Screenshot 4

RIGHTSENFORCEMENT.com | Screenshot 5

  • The Humbling
  • Salt and Fire
  • Queen of the Desert
  • Close Range

RIGHTSENFORCEMENT.com | Screenshot 6

  • Good Kill
  • Charlie Countryman
  • Sniper: Special Ops
  • Life on the Line
  • Cabin Fever Reboot
  • Return to Sender

RIGHTSENFORCEMENT.com | Screenshot 7

  • Countdown
  • Blunt Force Trauma, and
  • Wild Horses

Are these famous actors or producers involved in the copyright trolling scheme?

Likely not.  It has become apparent that the actors in the movie have absolutely nothing to do with RIGHTSENFORCEMENT, or the copyright trolling that the production company has chosen as their alternate path to making money from the film (their primary method of selling movie tickets flopped).  In fact, the actors are usually the victims of both the piracy and the lawsuit, as they benefit from NEITHER.

Is Carl Crowell (the figurehead of RIGHTSENFORCEMENT) behind these lawsuits?

Again, likely not.  It is also now apparent that Carl Crowell alone (the ‘owner’ of RIGHTSENFORCEMENT and the RIGHTSENFORCEMENT.com website) is likely not the businessman / entrepreneur behind the acquisition of the movie titles.  Rather, he and his RIGHTSENFORCEMENT company are most logically patsy figureheads, as was Keith Lipscomb and his now defunct law firm.  (On a side note, after all the years we thought that Lipscomb was the villain for the Malibu website, I wonder if he feels like a patsy as well — used and abused by the more powerful copyright trolls, or did Lipscomb make out with windfall profits?  It would be interesting to speak to him and have him give his side of the story to ‘spill the guts’ of who these guys behind the RIGHTSENFORCEMENT company and actually are.)

So as much as that was ‘tongue in cheek’ (cliche which has a different meaning if you knew anything about the Malibu lawsuits Lipscomb was filing), realistically Lipscomb is bound by a number of strong contracts where he could probably lose his law license for breach of attorney-client privilege if he disclosed the identity of his ‘client’ — the one who has been filing all of these lawsuits.

If not him, then who? (think, “who stole the cookie from the cookie jar?”)

We don’t need Lipscomb to see who is actually behind these lawsuits.  It is becoming apparent (at least in my observation) that the entity behind Carl Crowell’s RIGHTSENFORCEMENT organization is none other than the MOTION PICTURE ASSOCIATION OF AMERICA (MPAA) and their lobbyists.

I laugh at myself whenever I say this out loud because the idea that such an apparent ‘legitimate’ organization would engage in such banal legal tactics to monetize their copyrights to compensate for having made failed movies (“floppers”) in the theaters makes me just shake my head in disgust.  Then, having learned over the last two years that the same organization is affiliated with OR HAS DIRECTED the pornography lawsuits across the US since 2012 just makes me cringe.  “It is just too horrible.”

Why I believe the MPAA/RIAA are behind the movie lawsuits.

I covered why I actually think the MPAA and RIAA are behind the movie lawsuits in depth here, but I’ll quickly recap.

Look at the evidence.  The RIAA (a similar but very related organization) was involved in so many lawsuits prior to 2010.  They sued and sued, and then all of a sudden in 2010, they went SILENT.  The MPAA also sued, my best understanding is using Voltage Pictures, and a bunch of other companies with The Expendables lawsuits, etc., all using the law firm Dunlap Grubb, & Weaver, LLC to file their lawsuit.  When those mass bittorrent lawsuits failed, it appears to me (based on the fact that the same Guardaley company was involved in both the movie AND porn lawsuits) that the MPAA and RIAA then encouraged the pornography industry to file lawsuits on their behalf to make headway in the court system to change or break copyright.

I know I wrote “break” copyright, but I have had some time to think about it, and while I am still befuddled by the thought that the MPAA would scheme to have the porn companies file lawsuits for their own benefit to change copyright law, I wonder if they did so because they wanted to create change in the courts because they couldn’t get it done in an ineffective lame Congress.

Anyway, this is still a mystery to me, and it is bigger than me, and I am not the one with authority or power to break the story, expose the MPAA, or investigate the MPAA or the RIAA with any credibility other than my best guesses based on what I see come out in the lawsuit filings and disclosures.  It simply must be noted that with the exodus of Lipscomb from the adult film lawsuits and the merging of the RIAA (now embodied in Rightscorp) and the MPAA (with the movie titles) all coming together in Carl Crowell’s RIGHTSENFORCEMENT entity (which is growing in power and in licenses to movie production companies who have signed on with them), I must assume legitimately that there must be a REASON why these movie companies are obediently ‘falling in line’ and signing up with Crowell’s organization.  That reason cannot be that there are so many greedy movie production companies in Hollywood who have all of a sudden embraced copyright trolling as a legitimate copyright monetization business strategy. Rather, I believe that reason is that THE RIGHTSENFORCEMENT ORGANIZATION AND ITS MOVIE COMPANY CONTRACT DOES NOT BELONG TO CARL CROWELL, BUT TO THE MPAA/RIAA ENTITIES.

ME2 Utah Subpoenas from CenturyLink Are Coming Due.

Subpoenas Sent to CenturyLink to expose identities of ME2 Utah Defendants due 4/28.

ME2 Utah cases have been blazing since they were filed early in March, and now the subpoenas for those cases are coming due this week.

Who is the attorney for the ME2 Utah cases?

The ‘copyright troll’ attorney in Utah who filed these cases is Todd Zenger (“Todd E. Zenger”), and he works for Kirton McConkie in Salt Lake City, Utah. Any e-mails coming from “[email protected],” or calls from his “801-328-3600” phone number (or any 801-328-XXXX phone number should cause you to be wary that you have a Utah ME2 copyright troll trying to scare you into settling with him for thousands of dollars.

Are Utah ME2 Productions, Inc. cases any different from those filed in other states?

Really, no.  I have already written much about the ME2 Productions, Inc. cases, and the Utah ME2 cases are no different from the cases filed in other states. The following articles should be helpful in understanding the ME2 Utah cases as well:

EVERYTHING YOU NEED TO KNOW IN ONE PAGE ABOUT YOUR ME2 PRODUCTIONS, INC. “MECHANIC:RESURRECTION” LAWSUIT AND ISP SUBPOENA.

Just like the other cases, the Utah ME2 Productions, Inc. cases are suing for copyright infringement based on the the illegal download of the Mechanic: Resurrection movie, starring Jason Statham and Jessica Alba. The lawsuits are all copyright infringement lawsuits filed in the Federal Courts, and each lawsuit sues for statutory damages of $150,000 (but don’t let that large number scare you, because baked into copyright infringement law is the concept of ‘minimum statutory damages’ as well).

Accused ME2 Utah-based internet users are made aware of these cases when they are sent a letter from their ISP (CenturyLink), which informs them 1) they are implicated as a “John Doe” Defendant in this case, and 2) the ISP is bound by a subpoena to share the account holder’s contact information (and relevant information about their IP address’ involvement in the case) on a certain due date unless the subscriber files an objection with the court (referring to a “motion to quash”).

Why is this article relevant now (and for the next week or so)?

The reason why I am writing this article is because starting THIS FRIDAY (and continuing for the next week), the ME2 Utah-based subpoenas sent to CenturyLink demanding that they turn over the identities of the Utah ME2 John Doe Defendants are coming due. Most relevant, the next deadline is this Friday, 4/28.

What should I expect after 4/28 once CenturyLink complies with the subpoenas?

The expectation following this 4/28 deadline is that Todd Zenger will start sending out settlement demand letters to Utah ME2 John Doe Defendants, explaining that they have been sued for $150,000, and that their ISP has identified them as being the downloader. That their ISP identified them as the infringer is actually not true, as the ISP will have only identified that their IP address was ‘in the room’ when bittorrent downloading was happening.

However, Todd Zenger’s cases do not state that each John Doe Defendant is the actual infringer, nor does he provide evidence in the form of a PCAP file that any of the Utah ME2 defendants actually committed copyright infringement or downloaded a large enough piece of the movie to be considered “substantially similar” to the copyrighted film. However, it will have to be up to the judges (and us attorneys) to inform them that Todd Zenger is not in possession of the Guardaley evidence he allegedly claims to have.

Who are the federal judges assigned to the ME2 Utah Cases?

The Utah ME2 cases (thus far) are evenly spread between the following judges.  I wouldn’t be surprised if moving forward, one judge, e.g., Judge Evelyn Furse will take over the other cases to have uniform decisions across the Utah ME2 cases.

Judge David Nuffer:
ME2 Productions v. Does 1-23 (Case No. 2:17-cv-00198)
ME2 Productions v. Does 1-12 (Case No. 2:17-cv-00224)
ME2 Productions v. Does 1-29 (Case No. 2:17-cv-00190)

Judge Paul M. Warner:
ME2 Productions v. Does 1-26 (Case No. 2:17-cv-00199)
ME2 Productions v. Does 1-14 (Case No. 2:17-cv-00225)
ME2 Productions v. Does 1-22 (Case No. 2:17-cv-00189)

Judge Evelyn J Furse:
ME2 Productions v. Does 1-25 (Case No. 2:17-cv-00179)
ME2 Productions v. Does 1-25 (Case No. 2:17-cv-00169)
ME2 Productions v. Does 1-23 (Case No. 2:17-cv-00178)
ME2 Productions v. Does 1-25 (Case No. 2:17-cv-00158)
ME2 Productions v. Does 1-23 (Case No. 2:17-cv-00157)
ME2 Productions v. Does 1-26 (Case No. 2:17-cv-00168)

Judge Jill N. Parrish:
ME2 Productions v. Does 1-22 (Case No. 2:17-cv-00200)

Judge Dustin B. Pead:
ME2 Productions v. Does 1-27 (Case No. 2:17-cv-00191)

Judge Ted Stewart:
ME2 Productions v. Does 1-24 (Case No. 2:17-cv-00223)

What are your options in defending or resolving claims in a ME2 Utah-based case?

If you have read this far, you are likely one of the John Doe Defendants in this case, and thus here are your options on how our Cashman Law Firm, PLLC (or any other competent copyright litigation attorney) can help you in this case.

OPTION 1: FIGHT

In this option, your attorney would fight this case on your behalf. Since the ME2 scam has been exposed, the inherent weaknesses in Todd Zenger’s case are now well known. This option is more expensive than the other options, but it is probably the most satisfying option when you win and ask for attorney fees from ME2 Productions.

OPTION 2: SETTLEMENT NEGOTIATIONS

Settlement negotiations does not mean that you downloaded the movie or that you are guilty of copyright infringement. Rather, it simply means that you want to pay to have the plaintiff attorney dismiss you from the lawsuit. This option can be used by both ‘guilty’ and ‘innocent’ defendants. While I do not recommend an innocent defendant pay ANYTHING to settle the claims against him, I do not judge defendants when they choose this option.

OPTION 3: “NO SETTLEMENT REPRESENTATION”

This is the discounted “no settlement” representation route that I discussed here. In the span of 2-3 hours, I would consult with the client, send over a letter of representation to the plaintiff attorney (to stop him from contacting the client directly). I would then draft a letter to the plaintiff explaining that my client did not do the download, and that we are not interested in anything other than a walkaway settlement, meaning that my client pays no settlement. The purpose of this representation is to put Todd Zenger on notice that my client is not the infringer he is looking for.

OPTION 4: “IGNORE” ROUTE REPRESENTATION

The ignore route is best described as ‘playing chicken.’ I best described the “ignore” route, and how it differs from the “no settlement representation” route here. The assumption with the “ignore” route is that Todd Zenger is not yet naming and serving defendants in this case, so you would hire our Cashman Law Firm, PLLC to monitor the case for you. We would send over a letter of representation indicating that we are representing you in the case, but we would not engage in settlement negotiations.

The intended client for the ‘ignore’ route is the innocent client that wishes to have a more ‘hands on’ engagement with their case over the “no settlement” representation letter route, where their attorney is actively monitoring the case and having active discussions with the plaintiff attorney. Both ‘guilty’ and ‘non-guilty’ defendants can utilize the “ignore” route, as this option is adjustable based on the circumstances of the client. If Todd Zenger decides to start naming and serving defendants, a ‘guilty’ client would likely have me open up settlement negotiations on his behalf, whereas a non-guilty client would instruct me to not settle and adhere to the ‘ignore’ strategy. Obviously getting named and served while in this strategy would be cause to decide whether to shift strategies to the “fight” or “settle” strategy, which is fine.

OPTION 5: ARGUE “MINIMUM STATUTORY DAMAGES” REPRESENTATION

I discussed the “argue minimum statutory damages” representation option last night in this article. The purpose of this option is to take the settlement negotiations away from a misbehaving plaintiff attorney. Instead of negotiating a settlement (where the plaintiff is asking for too much money), we would file an answer with the court admitting infringement, and we would then make the case for the judge to award minimum statutory damages of $750.

The intended client for the “minimum statutory damages” representation route is a client who did the download and either does not want to go through settlement negotiations, or who wants to take settlement negotiations out of the hands of the plaintiff attorney / copyright troll and leave the damages up to the judge to decide. Obviously since we are admitting guilt in this option, it is appropriate for the client to have done the download to use this strategy.

However you decide to proceed, if I can be of assistance or answer any questions about your ME2 Utah case, please let me know.


CONTACT FORM: If you have a question or comment about what I have written, and you want to keep it *for my eyes only*, please feel free to use the form below. The information you post will be e-mailed to me, and I will be happy to respond.

NOTE: No attorney client relationship is established by sending this form, and while the attorney-client privilege (which keeps everything that you share confidential and private) attaches immediately when you contact me, I do not become your attorney until we sign a contract together.  That being said, please do not state anything “incriminating” about your case when using this form, or more practically, in any e-mail.

REVISITED: Beware of the defense attorney “copyright trolls” too.

This post was originally written as a “rant” against volume-based “settlement factory” attorneys.  At the time, the kind of damage they caused to accused defendants in bittorrent cases was unknown, as was their existence.  Even today, settlement factory defense attorneys continue to feed inquiring ‘John Doe’ subpoena recipients false information.  And as a result, settlement prices paid to copyright trolls often end up being artificially inflated.  As of 4/17/2017, I have revisited the topic, and it is still as valid today as it was one year ago.

After writing this article, Ernesto from Torrentfreak wrote an article entitled, “BEWARE: PIRACY DEFENSE LAWYERS CAN BE “TROLLS” TOO.“.  -Rob Cashman

Beware of Attorney Settlement Factories

I started writing this article because there is too much conflicting information floating around the web about whether to settle a bittorrent-based copyright infringement lawsuit.  The attorneys who are causing this confusion are trying to profit from the current broken state of the copyright laws.  These attorneys use fear tactics and manipulation to scare a John Doe Defendant into settling with their law firm.  

Credible Websites Teach That Settlement is NOT a Requirement

There are credible websites that blog almost daily on copyright troll issues.  

see “Fight Copyright Trolls,”

see “Die Troll Die.”

Copyright Trolls Do Not Take Cases To Trial

Because copyright infringement lawsuits are often based on scare tactics, and because copyright troll attorneys name only a small sliver of defendants sued, ignoring a copyright troll and his threats can be a good strategy.

IGNORING A COPYRIGHT INFRINGEMENT CLAIM AGAINST YOU CAN OFTEN BE A VIABLE OPTION TO RESOLVE THE PROBLEM (WITHOUT SPENDING $$$$ ON A LAWYER). 

Thus, beware of the so-called “defense” attorneys who tell you that you will lose your home and your life savings if you do not settle.

What are “SETTLEMENT FACTORY” defense attorneys?

NOTE: In this section, I give you the red flags to look for to spot these attorneys, and I hope this helps clarify some of the conflicting information you get from speaking to different attorneys.

“SETTLEMENT FACTORIES” are what I call law firms who focus on providing apparent “low cost settlements” to clients (as you will see, the settlements end up not being low cost).

These settlement factory law firms hire multiple attorneys to solicit and lure accused ‘John Doe’ defendants into hiring them “for a cheap and anonymous settlement.”

From a business perspective, more attorneys for the business owner means the ability to make more phone calls to solicit more accused defendants [to process more settlements], and the ability to “capture” more clients for their law firm means more profits.

SETTLEMENT FACTORY law firms PRE-ARRANGE settlement amounts.

Rather than actually negotiate a good settlement for their client, settlement factories run what I refer to as a “volume business.” They PRE-ARRANGE an often inflated settlement price with the copyright holder, so the copyright troll will agree to the arrangement.

In return, the copyright troll allows that so-called attorney to not have to negotiate the settlement for each client, since they have a prearranged agreed-upon “settlement amount.”

Why settlement factory attorneys are PART OF THE PROBLEM of copyright trolling.

This arrangement creates a “cottage industry,” where the defense attorney and the plaintiff attorney (who are supposed to be opponents) are allies for profit.  Settlement factory attorneys are part of the problem of copyright trolling; they are not part of the solution, and the only one that gets hurt is the accused defendant.  Why?  Because with settlement factories, the accused defendant almost NEVER gets the lowest possible settlement amount.

SETTLEMENT FACTORY law firms DO NOT NEGOTIATE SETTLEMENT AGREEMENTS either.

What compounds the problem is that negotiating the settlement is only HALF of the solution. The SETTLEMENT AGREEMENT itself must also be negotiated.  However, settlement factory attorneys do not negotiate settlements either (even though they tell you they do).

Why settlement agreements need to be negotiated.

Settlement agreements need to be negotiated because “boilerplate” settlement agreements contain ADMISSIONS OF GUILT and UNFRIENDLY LANGUAGE.

These boilerplate settlement agreements do not protect the client because they often:

  1. do not properly identify the accused defendant by name,
  2. they do not contain proper confidentiality clauses (to stop the plaintiff attorney from suing again or asking for more money later on), and
  3. they do not release the accused defendant from liability.

Settlement factory defense attorneys.

As a result of this article, settlement factory attorneys will take steps to hide their scheme.

For me, where writing this article will become infuriating is that suddenly these attorneys and their “beefed up” staff of hired attorneys will now start advertising 1) that they spend the time to actively negotiate the best settlement for their client, and 2) that they take the careful time to negotiate the terms of the settlement agreement so that the accused John Doe Defendant will be released from liability and the negotiated terms will properly protect the client’s rights.  Sure they will.

‘RED FLAGS’ TO SPOT A SETTLEMENT FACTORY

I know settlement factory attorneys follow this blog, and thus all I could say is “caveat emptor.”

At the time of writing this blog, here are the items to look for:

1) How long that attorney has been in practice [REMEMBER: “Copyright Troll” mass bittorrent lawsuits targeting multiple “John Doe” defendants have only been in existence only since 2010, so any attorney who claims he has been fighting copyright trolls for 20 years is obviously lying.],

2) Check the attorney’s blog to see the HISTORY of his articles — was he one of the first attorneys who fought these cases, or is he a new “me too” copycat attorney who is standing on the shoulders of giants? (after reading this, no doubt these attorney will now add “older” articles to make their website look older),

3) Check the blog article itself for “SEO OPTIMIZED” content, or “KEYWORDS” placed into the article.  Ask yourself, “was the purpose of this article to provide me valuable information? or was the purpose of the article to bulk it up with keywords so that search engine spiders will reward the author with first page rankings on the search engines?

2017 UPDATE: When I mentioned SEO OPTIMIZED content, I am referring to the fact that settlement factory blog articles lack content.  In our blog, we have over 200+ information-packed articles that we wrote TO EDUCATE.  Obviously many clients came to our firm as a result of our articles, and this is fine.  However, settlement factories have ONE MOTIVE ONLY: TO PROFIT.  Look for sites that advertise to you rather than inform you and educate you.

4) Last, but not least, check the EARLY ARTICLES of the blog to see whether the attorney actually tried to fight these cases and hash out the legal arguments, or whether they were merely reporting on the lawsuits already in existence to attract new business.  I call these attorneys “me too” attorneys, and you can usually spot them because all they do is report the cases.

AUTHENTICITY AND ORIGINALITY

In 2010, I and a small handful of attorneys were contacted by the Electronic Frontier Foundation (better known as EFF) to help understand and resolve the developing copyright troll problem.  This was back when ISPs began sending letters out to their subscribers informing them that their ISP would be handing out their contact information and their identity to the plaintiff attorney / copyright holders unless they filed objections (or, “motions to quash”) with the courts. Thus, I credit the EFF for even noticing the copyright troll problem and contacting us to figure out what to do about it.

COPYCATS / FOR PROFIT ATTORNEYS

Unfortunately (or, fortunately, however you see it), that initial list of 20 attorneys has grown to over 100+ names, and some attorneys have negotiated with EFF to list them as representing clients in multiple states, hence increasing their visibility in an ever-growing list of lawyers. Watch for these attorneys — they are usually the “settlement factories” I referenced above, and again, caveat emptor.

REPUTABLE ATTORNEYS DO EXIST

Let’s pretend, for a moment, that you did not like me or my use of pretrial strategies (often making use of federal procedure) to defend a client. Or, let’s pretend for a moment that I could not take you as a client (e.g., because my case load was full, or because I did not have time to speak to you about your matter).

Because there were only a handful of us attorneys on the original EFF list who knew anything about these copyright infringement lawsuits, over the years, we have become friends and have helped each other out on many of the lawsuits in which we represented both John Doe Defendants and “named and served” defendants. Some of these attorneys are still around today, and some have moved on to other areas of law.  Some of them have stopped taking clients because fighting mass bittorrent cases has become more burdensome than the effort was worth (especially when some copyright holders do not play fairly in discovery [think, Malibu Media, LLC]).

PIPEDREAMS AND REFERRALS

Finding “that special client who will pay my fees to fight this case to trial” for many attorneys has become an unrealized pipe dream, and is something us attorneys often discuss.  If you truly want to fight your case, I have nothing wrong with either me, or anyone else I trust representing you in your lawsuit (I will happily tout another attorney’s merits and advanced skillsets when speaking to clients). AND, I will happily refer you to someone if I find that one of my peers would better assist you.

NO REFERRAL FEES

I *DO NOT* believe in referral fees, nor do I “share the workload” with other attorneys (this is code word for “I referred you this client, so pay me a piece of the legal fees you receive and call it paying me for my “proportional efforts.”).  This is something that is often done in my field which, in my opinion, needs to stop.

Over the years, I have upset many non-copyright attorneys who know nothing about these cases.  In the typical fashion, they call me with a client they would like to refer to me (coincidentally, asking to share in the fees, but not in the work).  I have rejected each request.

So in hindsight, while I thought I’d be reintroducing “copyright troll” subpoenas and basic copyright infringement concepts to clear up some conflicting information found on the web, instead I am providing a clear warning to those who are being actively solicited by law firms. A law firm simply should not be calling you or contacting you to solicit your business.

BACK TO IGNORING A CLAIM OF COPYRIGHT INFRINGEMENT

Copyright trolls sue many John Doe Defendants in one case, but only a small number of them are named and served.  When you are evaluating your options, STOP AND CONSIDER THE OPTION OF *NOT SETTLING*, BECAUSE *NOT SETTLING* A CLAIM OF COPYRIGHT INFRINGEMENT CAN OFTEN BE A GOOD IDEA.

Similarly, in a lawsuit, DOING NOTHING MAY OFTEN BE YOUR BEST STRATEGIC MOVE, as counterintuitive as that might sound.  Again, this is because much of the ‘copyright trolling’ problem is based on a bluff — namely, that the copyright holders have evidence against you, and they will take you to trial if you do not pay them money to settle.

A Settlement Factory attorney makes NO MONEY if you ignore.

When you are bombarded with attorneys and law firms who actively market their fear-based services by using “Google AdWords” (ethically or unethically “buying” more well known attorney’s names as keywords so that THEY show up at the top of a search).  Then, those attorneys have their “assistant” attorneys calling you and pushing you to anonymously settle the claims against you, think twice. Is this person trying to get you to be yet one more client in their “volume” business??

WHY WE DISCUSS THE “IGNORE” OPTION WITH EVERY POTENTIAL CLIENT

In every one of my calls, I discuss what I call the “ignore” option which in many people’s scenario is a viable option. In many cases, I even push a client towards the “ignore” side of things.

[NOTE: There are many political reasons I have for this, such as “not feeding the troll,” or “not funding their extortion-based scheme,” or simply because I have been trying to change the copyright laws to limit or hinder a copyright holder’s ability to accuse or sue an internet user for the violation of that copyright holder’s copyrights, but NONE OF THOSE REASONS ARE REASON WHY I SUGGEST SOMEONE I SPEAK TO IGNORES THE CLAIMS AGAINST THEM.]

WHEN TO CONSIDER THE “IGNORE” OPTION.

Sometimes an individual’s circumstances allow them to ignore the lawsuit filed against them (or the copyright violation claimed against them in the DMCA notice).  Such factors include:

1) the individual’s financial situation,

2) whether they live in an apartment or a home,

3) the location of that apartment or home,

3) the state in which the plaintiff attorney has his law firm,

4) whether that copyright holder authorizes his attorneys [and pays their fee] to “name and serve” defendants and move forward with trial,

5) for strategy purposes, e.g., the psychological impact of having one or more John Doe Defendants ignore the claims against them (while other defendants rush to settle in fear of being named and served), or

6) simply because ignoring is the only option in that person’s situation.

IN SUMMARY

In summary, this has been a stream of thought article, but if you have made it to this point, you now understand the difference between a defense attorney who does settlements (among other forms of representation), and the settlement factory.

If the attorney you are speaking to is running your case as a volume business, or he is pushing you towards a “quick anonymous settlement” without showing you the merits of either 1) IGNORING, or 2) DEFENDING the claims against you, beware.

And if you need help and want my honest opinion about your case, or whether a particular attorney is engaging in a certain practice, just ask me.  I do not need to have all of you as clients, and I will answer you honestly.  And if you need, I will provide you a referral.


CONTACT FORM: If you have a question or comment about what I have written, and you want to keep it *for my eyes only*, please feel free to use the form below. The information you post will be e-mailed to me, and I will be happy to respond.

NOTE: No attorney client relationship is established by sending this form, and while the attorney-client privilege (which keeps everything that you share confidential and private) attaches immediately when you contact me, I do not become your attorney until we sign a contract together.  That being said, please do not state anything “incriminating” about your case when using this form, or more practically, in any e-mail.


Genbook Reviews | Cashman Law Firm, PLLC

Siemens NX Lawsuit | Expecting FRCP Rule 4(m) Dismissal Due To a Missed Deadline

Siemens PLM v. Does 1-100 (TX) and missed deadlines.

As many of you know, our Cashman Law Firm, PLLC is representing a number of engineer clients who are accused in a Siemens NX lawsuit of using their Siemens NX Mach 3 software without a valid license.

Siemens as we know is using the lawsuit as a pretext to convert accused infringers into valid license holders.  The name of their lawsuit is the Siemens Product Lifecycle Management Software, Inc. v. Does 1-100 (Case No. 4:16-cv-03552) case filed in the Texas Southern District Court.

The Siemens NX lawsuit attorneys just missed a deadline to name and serve defendants.

Procedurally, Siemens was under a FRCP Rule 4(m) deadline to name and serve defendants by 4/3/2017.  This deadline was set by the judge, and the judge is the one with the discretion on whether to extend it once, multiple times, or dismiss the lawsuit after a certain time period has elapsed.

As of writing this article, The Siemens NX lawsuit attorneys did not file anything on 4/3, and their deadline has passed.  Further, it has been two days without any activity on the court docket from Siemens NX.  This is not surprising, as copyright cases often miss a deadline such as this, and then they request an extension and the federal judges readily approve them, sometimes weeks later.

What a dismissal means to your case, and how you should proceed depending on your circumstances.

A dismissal of the Siemens NX lawsuit means that you are no longer a John Doe in the case.  However, whether this matter is over or not is based on whether you are before or after the ISP handed out your information in compliance with the subpoena.

If the ISP has not yet complied with the subpoena, your contact information is still hidden from the Siemens lawsuit attorney.

If you are before the due date that your ISP gave you before they comply with the subpoena, you are in luck.  At this point, you are still anonymous, and if you hired an attorney, your attorney will likely offer to return the money you paid to him.  It would benefit you to have him contact the ISP to notify them that the Siemens NX lawsuit has been dismissed and that they should not comply with the Siemens subpoena.

By having the ISP agree not to comply with the subpoena sent to them by the Siemens NX lawsuit attorneys (Robert Riddle & Andrew Bluebond), you will remain anonymous, and your Siemens NX lawsuit plaintiff attorneys will never learn who you are.

If the ISP has already complied with the subpoena, your contact information has been shared with the Siemens NX lawsuit plaintiff attorneys.

If the ISP date has already passed, the assumption is that the ISP already complied with the subpoena, as they told you they would.  Here, you are no longer anonymous, and the plaintiff attorney already knows who you are.

How the 3-Year statute of limitations for copyright infringement cases suddenly becomes relevant.

A dismissal at this point is inconsequential because the plaintiff attorney has already acquired the information he needs to proceed against you out of court.  The statute of limitations to sue someone for copyright infringement is three years from the alleged date of infringement.  That means that they have three years to sue you as a defendant in a copyright infringement case for this same claim*.

*NOTE: There is more on this topic, but it is outside the scope of this article.

Whether your plaintiff attorney is a ‘copyright troll’ or now also becomes relevant.

Depending on whether your copyright holder is a ‘copyright troll’ (meaning that they will just file another lawsuit against a new set of John Doe Defendants), or whether they will continue to pursue claims against you out of court (using the information they obtained from this lawsuit), you have two options on how to proceed.

If the copyright holder is a copyright troll, a dismissal such as this one should give you reason to celebrate.  However, Siemens PLM is not a typical copyright troll, and that is why I wrote this article.

To a Siemens PLM attorney, you are worth $30K-$60K.

Each settlement in a Siemens case is worth $30K-$60K for Siemens.  The goal of the Siemens attorney is to contact defendants to arrange for a purchase of one or more NX Mach 3 “seats” or “licenses” (at roughly $30K/seat).

An engineer who has been caught using the software without a license, and who faces an ongoing $150,000 lawsuit is an easy candidate for Siemens to convert into a paying customer.  This can be done with or without a lawsuit being in play, at it would apply regardless of whether the judge dismissed the underlying lawsuit for missing the FRCP Rule 4(m) deadline, or whether they tire of being monitored by a judge and they dismiss the lawsuit themselves.

After all, they already have the information they need, and they have three years to continue contacting defendants until such a time when they are no longer able to proceed (or until the Siemens clients stops paying their fees).

In sum, the case is NOT yet dismissed.

The Siemens PLM v. Does 1-100 Texas case is not yet dismissed, although I wanted to have this information ready for you so that you will be prepared with your options should a dismissal happen.

 Discuss your Siemens PLM Case With a Cashman Law Firm Attorney


CONTACT FORM: If you have a question or comment about what I have written, and you want to keep it *for my eyes only*, please feel free to use the form below. The information you post will be e-mailed to me, and I will be happy to respond.

NOTE: No attorney client relationship is established by sending this form, and while the attorney-client privilege (which keeps everything that you share confidential and private) attaches immediately when you contact me, I do not become your attorney until we sign a contract together.  Also, the contents of topics discussed on this site are not meant to be considered legal advice to act upon or not act upon.  Contact your attorney for answers specific to your particular circumstance.

Why would copyright trolls show evidence of ‘other downloaded movies’ if they have evidence of infringement?

Copyright trolls often surprise me by the lengths they will go to prove that a particular “John Doe” defendant downloaded a particular movie. Because the underlying copyright infringement cases likely cannot prove copyright infringement, instead, copyright troll attorneys will spy into the internet connections of their accused defendants and determine what other movies, videos, or content that accused downloader allegedly downloaded. They use those additional downloads as ‘character evidence’ to assert that the defendant downloaded the accused movie. (Next article, I will describe how they are likely doing it.)

By showing character evidence of ‘other downloaded movies,’ copyright trolls prove that the accused “John Doe” Defendant has the personality or ‘character’ of being a habitual infringer (a ‘pirate’).  This character evidence shows that the defendant is familiar with piracy tools and illegal methods of acquiring movies and videos from bittorrent websites (e.g., The Pirate Bay). By demonstrating to the court that “someone from that same IP address downloaded these other movies,” the copyright troll seeks to prove that “the accused defendant must have also downloaded this movie as well.”

Copyright Trolls Use Other The Pirate Bay Downloads to demonstrate character evidence to infringe their movie copyright.

[NOTE TO THE READER: WHAT YOU ARE ABOUT TO READ IS A GREAT ARTICLE, BUT IT NEEDS A ROADMAP TO UNDERSTAND THE FLOW OF IT.]

HERE IS THE ROADMAP:

  1. INTRODUCE THE CONCEPT OF ‘CHARACTER EVIDENCE’ (A LEGAL TERM), AND DESCRIBE WHY EVIDENCE OF ‘OTHER TITLES DOWNLOADED’ IS INADMISSIBLE TO PROVE COPYRIGHT INFRINGEMENT.
  2. INQUIRE WHY PLAINTIFF WOULD TAKE THE EXTRA STEP OF SHOWING ‘OTHER TITLES DOWNLOADED’ IF HE HAS SOLID EVIDENCE OF INFRINGEMENT.
  3. DISCUSS THE NEBULOUS ‘PCAP FILE’ WHICH CAN PROVE INFRINGEMENT, NOTE THAT THE PLAINTIFF HAS ACCESS TO THIS FILE, AND YET IT IS MISSING FROM THE PLAINTIFF’S CASES.
  4. SUB-TOPIC: THE EVIDENCE THE PLAINTIFF ACTUALLY HAS IS “SNAPSHOT EVIDENCE.” COURTS REJECTED SNAPSHOT EVIDENCE AS BEING INSUFFICIENT TO PROVE COPYRIGHT INFRINGEMENT.
  5. (I RETURN TO THE MISSING PCAP EVIDENCE AND DEMONSTRATE THAT THE PLAINTIFF ATTORNEY MISDIRECTS THE COURT BY REFERRING TO A SOFTWARE REPORT, BUT GLOSSING OVER THE PCAP EVIDENCE).
  6. END THE ARTICLE BY COMMENTING THAT SHOWING ‘OTHER TITLES DOWNLOADED’ TO A DEFENDANT IS AN EFFECTIVE STRATEGY IN SCARING HIM TO AGREE TO SETTLE THE CASE.

1. EVIDENCE OF ‘OTHER TITLES DOWNLOADED’ IS INADMISSIBLE CHARACTER EVIDENCE.

In the eyes of the law, ANY CHARACTER EVIDENCE OF ‘OTHER MOVIES OR TITLES’ DOWNLOADED BY THE JOHN DOE DEFENDANT IS INADMISSIBLE TO PROVE THAT THE DEFENDANT DOWNLOADED THE MOVIE TITLE FOR WHICH THAT DEFENDANT WAS SUED. Malibu Media, LLC tried using character evidence and failed. For a while, they were listing other movie titles and illegal downloads that accused defendant participated in, and the courts reprimanded their efforts.

Specifically because Malibu Media attempted to admit character evidence into their complaints, in the Western District of Wisconsin, Judge Stephen L. Crocker consolidated each of Malibu Media LLC’s cases.  Here, the judge ruled that character evidence of ‘other titles allegedly downloaded’ was not only inadmissible, but it was prejudicial to the defendant’s case (see attached order).

According to the Federal Rules of Evidence (“F.R.E.”), evidence of a person’s character to prove a consistent act with that character is called ‘character evidence,’ which is inadmissible to prove copyright infringement. (See the Federal Rules of Evidence, §404 on Character Evidence).

2. WHY WOULD COPYRIGHT TROLLS USE CHARACTER EVIDENCE OF ‘OTHER DOWNLOADED TITLES’ WHEN THEY CAN PROVE INFRINGEMENT USING THE PCAP FILE?

Why a copyright troll would resort to using ‘character evidence’ of ‘other titles downloaded’ to prove that the downloader must have downloaded this title is puzzling.  The copyright holders DO have evidence of infringement, don’t they?

3. EVIDENCE OF INFRINGEMENT CAN BE FOUND IN THE PCAP FILE.

Perhaps the reason why the attorney is seeking to find “other titles” an accused defendant downloaded is that copyright trolls do not actually have evidence that the defendant downloaded this movie.

For the technical-minded, this evidence of copyright infringement would be found in a “PCAP file.” Copyright holders have this file, but they will never release to the courts. This PCAP file would indicate whether a downloader merely clicked on a link and connected to a bittorrent swarm WITH THE INTENT* to download, view, or stream a movie, or whether the accused defendant actually copied a substantial watchable portion of the movie. (*NOTE: a defendant who had ‘INTENT’ to commit a copyright infringement cannot be found guilty of ‘willful’ copyright infringement if the download or the viewing never actually took place.)  The PCAP file is hidden from the courts and is never introduced to prove that the defendant downloaded the movie. Instead of documenting actual evidence of infringement, the copyright troll attorneys find “other titles” that the defendant allegedly downloaded.

4. HOW TROLLS REPLACE PCAP EVIDENCE WITH ‘SNAPSHOT’ EVIDENCE.

The omission of the PCAP evidence is relevant to an accused defendant in a bittorrent-based movie lawsuit.  The reason for this is because courts are misled into thinking that a report containing a list of IP addresses of accused downloaders at some ‘snapshot’ or time period by proprietary Peer-to-Peer surveillance software is sufficient to prove infringement.  However, the so-called ‘SNAPSHOT’ EVIDENCE of infringement (described below) might demonstrate only that the accused John Doe Defendant was present downloading a bittorrent file at a particular date and time.  ‘Snapshot’ evidence of infringement has been rejected by the courts as not being sufficient to prove copyright infringement.

Further, the companies that do the ‘snapshot’ tracking of the bittorrent networks — IPP International, and here in the Texas-based cases, MaverickEye UG, all appear to be shell companies of Guardaley.  For those who are new to the site, Guardaley is the German company our firm has been investigating to find the connection between almost every copyright infringement case hitting the US courts.  Guardaley has been the common thread between each lawsuit, regardless of whether the copyrighted material is pornographic (as in the Malibu Media, LLC lawsuits), or whether it is a mainstream movie.

For current defendants, the ‘snapshot’ evidence problem as I will describe it below likely applies to each of the “Mechanic:Resurrection” movie lawsuits (ME2 Productions), each of the “I.T.” movie lawsuits (I.T. Productions), each of the “Mr. Cook” movie lawsuits (Cook Productions), and literally every other movie lawsuit filed in the last seven years, as listed on Carl Crowell’s list of Guardaley clients.

Character Evidence of 'Other Movies Downloaded' To Prove The Download of THIS movie.

4A. SUB-TOPIC: WHY “SNAPSHOT EVIDENCE” IS INSUFFICIENT TO PROVE COPYRIGHT INFRINGEMENT

Source: Judge Otis Wright’s 2013 order from the Ingenuity 13 LLC v. John Doe (Case No. 2:12-cv-08333) case in the U.S. District Court for the Central District of California.

RULE 2. A “SNAPSHOT OBSERVATION” OF AN IP ADDRESS ENGAGED IN DOWNLOADING AT THAT MOMENT IS INSUFFICIENT PROOF OF COPYRIGHT INFRINGEMENT

Here, all the evidence a copyright troll plaintiff has on a suspected defendant is that at a particular date and time (a “timestamp”), that particular IP address was engaged in the downloading of a particular copyrighted file.

Here, a “snapshot” of an IP address correlated with evidence from the subscriber’s internet service provider (“ISP”) [that it was the subscriber who was leased that IP address during the date and time the alleged activity took place] is insufficient proof that the download actually took place. The defendant could have merely entered the swarm and could be in queue to download his first byte of data. The defendant could be 10% done with the download and could have in his possession an unviewable fragment of the copyrighted video.  This is hardly enough to rise to the level of “SUBSTANTIAL SIMILARITY” that is required in order to find a defendant guilty of copyright infringement. And, yet at the same time, that same snapshot could refer to a defendant having a download which is 99% complete.

A snapshot of an IP address in a bittorrent swarm is simply not conclusive that the downloader infringed the copyright.

The analogy the judge gives is taking a “snapshot” of a child reaching for a candy bar. In order to find someone guilty of copyright infringement, a plaintiff needs to prove that it is “more likely than not” that activity rising to the level of copyright infringement occurred. A snapshot places the defendant at the “scene of the crime.” It does not convict him for the unlawful act itself, and usually this is all the evidence a plaintiff copyright troll compiles when tracking a bittorrent swarm.

5. RETURNING TO THE OMISSION OF PCAP EVIDENCE IN PLAINTIFF’S DECLARATION. WHY THEY TURN TO ‘CHARACTER EVIDENCE’ OF ‘OTHER TITLES DOWNLOADED’ WHEN CONFRONTING A DEFENDANT

Instead of providing the PCAP file (which can prove or disprove whether actual infringement happened), the copyright holders have some expert witness file some declaration stating that they have viewed the reports generated by the bittorrent surveillance software.   That expert witness declares that they have verified that the IP address list created by that software matches the list of defendants who are accused as “John Doe” defendants in this case.

[Curiously, even copyright troll attorneys list themselves as expert witnesses to show that they viewed the software printout.  I don’t know why an attorney would do this, because this makes the plaintiff attorney a discoverable witness in discovery. Here in the Texas ME2 Productions, Inc. v. Does lawsuits, we see plaintiff attorney Gary Fischman’s declaration stating exactly what I have described:

Gary Fischman Declaration Regarding Maverickeye UG (Guardaley) P2P swarm surveillance software report. by Cashman Law Firm, PLLC on Scribd

As a defense attorney, I am puzzled why the plaintiff attorneys often try to prove their case with inadmissible character evidence (“other downloaded titles”).  I understand that copyright infringement in the context of a bittorrent swarm can be proved by the PCAP file (e.g., stating that the movie was 100% downloaded).

Thus, it logically makes sense that the attorney simply DOES NOT HAVE EVIDENCE OF INFRINGEMENT.  This could be why he goes to such lengths to prove that the downloader downloaded the other titles.

6. NEVERTHELESS, SHOWING CHARACTER EVIDENCE OF ‘OTHER TITLES DOWNLOADED’ IS STILL AN EFFECTIVE TACTIC.

From the copyright troll’s perspective, the goal is not to ‘nail’ each “John Doe” Defendant and make them liable for the $150,000 in statutory damages. Rather, a copyright troll seeks to elicit a settlement of a few thousand dollars from each “John Doe” defendant. 

Thus if the copyright troll isn’t interested in proving copyright infringement, but rather wishes to scare the bejeebies out of the accused defendant who actually downloaded those additional titles, then showing that defendant the list of ‘other titles downloaded’ *is* an effective tactic to manipulate them to do whatever the plaintiff demands of them, even if that means paying a multi-thousand dollar settlement.

IN SUM: WHICH ONE IS IT?

So which is it?  Does the plaintiff actually lack evidence of infringement as I have suggested by the missing PCAP file and the misdirection in the declarations filed with the court?  Or, does the copyright troll want to use the so-called ‘character evidence’ of ‘other titles downloaded’ to demonstrate to you (the John Doe Defendant) that you must have been the one who did the download of the movie (and thus you should pay him)?

My opinion: it is both.


CONTACT FORM: If you have a question or comment about what I have written, and you want to keep it *for my eyes only*, please feel free to use the form below. The information you post will be e-mailed to me, and I will be happy to respond.


NOTE: No attorney client relationship is established by sending this form, and while the attorney-client privilege (which keeps everything that you share confidential and private) attaches immediately when you contact me, I do not become your attorney until we sign a contract together. That being said, please do not state anything “incriminating” about your case when using this form, or more practically, in any e-mail.

Porn Sites Sending DMCA Letters Through RIGHTS ENFORCEMENT

In June, 2014, I exposed the list of porn companies that were working with CEG-TEK.  This upset a lot of adult film companies, who turned around and started having CEG-TEK send letters using a variation on their name (which made no sense to me *IF* the reason they were having CEG-TEK send out DMCA notices was to “encourage ‘pirates’ to sign into their websites legitimately and pay an annual fee”).  Instead, like roaches, these companies scattered, but even so, I still tracked the name changes and I kept this list up to date.

The reason this list is immediately relevant is because now Carl Crowell is sending out these same DMCA notices to Internet Subscribers through his RIGHTS ENFORCEMENT company.  For more about Crowell or his RIGHTSENFORCEMENT.COM website, click this link.

Below is a list I compiled from my own records as to which copyright holders are hiring companies to collect $300 per title settlements on their adult film copyrights.  The exciting news from 2017 is that I now have an idea of what are the porn companies which are now working aggressively with Carl Crowell (RIGHTS ENFORCEMENT), including some which were not working with CEG-TEK.  I will list the most active companies first.

REALITY KINGS (Manwin Content)

Reality Kings (http://www.realitykings.com).  Reality Kings has obscured their name in the past after I posted the original list in 2014.  They have been known to send out DMCA letters using the names 1) Manwin Content RK Limited DBA Reality Kings, and 2) MG Content RK Limited.  Regardless of the name, it is still Reality Kings.

Reality Kings is a giant corporation, comprising 45+ separated brand names, each of which have their own website.  Their brand names include:

40 Inch Plus, Big Tits Boss, Cum Fiesta, Extreme Asses, Girls of Naked, In the VIP, Milf Hunter, Money Talks, RK Prime, See My Wife, Teens Love Huge Cocks, We Live Together, 8th Street Latinas, Bikini Crashers, Cum Girls, Extreme Naturals, HD Love, Mega Cock Cravers, Milf Next Door, Monster Curves, Real Orgasms, Sneaky Sex, Top Shelf Pussy, Wives in Pantyhose, Bad Tow Truck, CFNM Secret, Dangerous Dongs, First Time Auditions, Happy Tugs, Mike in Brazil, Moms Bang Teens, No Faces, Round and Brown, Street Blowjobs, Tranny Surprise, Big Naturals, Captain Stabbin, Euro Sex Parties, Flower Tucci, Hot Bush, Mike’s Apartment, Moms Lick Teens, Pure 18, Saturday Night Latina, Team Squirt, and VIP Crew.

List of Reality Kings sites.
This is a list of Reality Kings sites. Each button is clickable and reveals hundreds of subtopics. This list can be found at http://www.realitykings.com/tour/sitemap/videos/

For a list of some of Reality Kings’ titles that I know they have enforced via the DMCA letters, see my original list in the “ORIGINAL LIST OF PORN COMPANIES SENDING DMCA NOTICES” heading.

BRAZZERS (MG Premium Ltd.)

Brazzers (http://www.brazzers.com).  Brazzers also has obscured their name in the past after I posted the original list in 2014.  They have been known to send out DMCA letters using the names 1) Froytal Services Limited DBA Brazzers, and confusingly enough, 2) MG Premium Ltd.  The interesting point to note is that this MG Premium entity seems to be a common thread through a number of the big-name porn companies, which suggests that there is a common owner or entity through which they tunnel their copyright enforcement activities.  At this moment, I am not searching deeper into learning who they are.

Brazzers is another a giant corporation, comprising 47+ separated brand names, each of which have their own website.  Their brand names include:

Asses in Public, Baby Got Boobs, Big Butts Like It Big, Big Tits In Sports, Big Tits In Uniform, Bit Tits at School, Big Tits at Work, Bit Wet Butts, Brazzers Exxtra, Brazzers Live, Brazzers Vault, Brazzers en Espanol, Busty & Real, Bustyz, Butts & Blacks, CFNM Day With A Pornstar, Dirty Masseur, Doctor Adventures, Hot And Mean, Hot Chicks Big Asses, JugFuckers, Milfs Like It Big, Mommy Got Boobs, Moms in control, Pornstars Like it Big, Racks & Blacks, Real Wife Stories, SexPro Adventures, Shes Gonna Squirt, Teens Like It Big, and Teens Like It Black.

As part of their “ZZ Series”, brands include:

A Brazzers Christmas Special, American Whore Story, Brazzers House, Brazzers Worldwide Budapest, Brazzers Worldwide Paris, Deadly Rain, Ghostbusters XXX Parody, Lost in Brazzers, Lustbite, One Night in the Valley, Pornstar POV, Pussy o Plomo, Storm of Kings XXX Parody, The Whore of Wall Street, and ZZ Erection 2016.

List of Brazzers Sites
This is a list of Brazzers sites. Each button is clickable and reveals hundreds of subtopics. This list can be found at http://www.brazzers.com/sitemap/brazzers-porn-directory/

For a list of some of Brazzers titles that I know they have enforced via the DMCA letters, see my original list in the “ORIGINAL LIST OF PORN COMPANIES SENDING DMCA NOTICES” heading.

DIGITAL PLAYGROUND (Manwin DP)

Digital Playground (http://www.digitalplayground.com).  Digital Playground is the third company that obscured their name as soon as I posted the original list in 2014.  They have been known to send out DMCA letters using the names 1) Digital Playground, and more frequently, 2) Manwin DP Corp. DBA Digital Playground.

Digital Playground is another a giant corporation, comprising 47+ separated brand names, each of which have their own website.  However, unlike Reality Kings and Brazzers, Digital Playground has taken steps to mask the list of brand names by hiding them behind an “A(1), B(5), C(0)…” list.  Thus, I am sharing the full list below:

Cougerville, Crave, Dirty Santa, DP Presents, DP Star Confidential, DP STAR Seasons 1-5, Flesh, Flesh: House of Hedonism, Girls of Summer, Gym Angels, House Calls, Infernal, Jack’s Back, League of Frankenstein, Lock and Load, London Knights (a Heroes & Villains XXX Parody Series), Rina Ellis Saves The World (a 90s XXX Parody), Sherlock (a XXX Parody), Sisterhood, Sisters of Anarchy, Ski Bums, Stryker, Swans of LA, The Fetish Diaries, The Pleasure Provider, True Detective: A XXX Parody, Wingmen, and 4Ever.

List of Digital Playground (Manwin) sites.
This is a list of Digital Playground sites. Each button is clickable and reveals hundreds of subtopics. The complete list can be found at http://www.digitalplayground.com/porn-directory-sitemap/series/

For a list of some of Digital Playground titles that I know they have enforced via the DMCA letters, see my original list in the “ORIGINAL LIST OF PORN COMPANIES SENDING DMCA NOTICES” heading, below.

ORIGINAL LIST OF PORN COMPANIES SENDING DMCA NOTICES

Axel Braun Productions
– “Batman XXX: A Porn Parody”

Celestial Inc., DBA Lethal Hardcore
– Fuck My Mom and Me 17

Cinderella Distributors Inc.
– Backdoor To Hollywood 6

Coast to Coast Video
– Older Women Younger Men 16

Combat Zone Inc.
– Daddy’s Little Princess #2

Daring Media Group
– Pretty Woman

Diabolic
– Swallowing is Good For You

Digital Sin, Inc.
– All About Ashlynn 1
– Incestuous
– Little Darlings
– My Anal School Girl
– My Plaything Ashlynn Brooke
– Perfect Little Pussy
– The Family That Lays Together
– The Innocence Of Youth #3, #5, #6
– This Is My First… A Gangbang Movie

Echo Alpha, Inc. DBA Evil Angel
– Fetish Fanatic 12
– Fetish Fuck Dolls 3
– Raw 16
– Rocco’s Perfect Slaves 3
– Rocco’s Young Anal Adventures

Fallout Films
– Naughty Girls 2

Froytal Services Limited DBA Babes (now known as “MG Premium Ltd.”)
– Abrasador
– Amatores
– Dancing With Myself
– Hearts Racing
– Love Encounter
– Raving With Pleasure

Froytal Services Limited DBA Brazzers (now known as “MG Premium Ltd.”)
– Dani’s Back and Ready to Play
– Driving Mrs. Madison Wild
– I Can Walk!!!
– Miss Titness America
– Mommy Got Boobs 15
– Sharing My Roommate’s Cock (Milfs Like It Big)
– Slutty Sorority Contest
– Teens Like It Big 12
– The Dangers of Working From Home (Kiki Minaj)

Froytal Services Limited DBA Mofos (now known as “MG Premium Ltd.”)
– Best Vacation Ever! (Ivy Laine)
– Cheerleader Fantasy
– Flashing Gets Her Whatever She Wants
– Fun And Sex Games
– I Make It Rain On Your Tits (I Know That Girl; Dillon Harper)
– Jewels for the Duch-ASS
– Rub a Dub Gimme a Tug
– Swinging Slut Buffet

Froytal Services Limited DBA Twistys (now known as “MG Premium Ltd.”)
– Burnin’ Luv
– Cum Over And Taste..

GGW Direct, LLC DBA “Girls Gone Wild”
– ALL NEW COLLEGE GIRLS EXPOSED VOL 1
– ALL NEW COLLEGE GIRLS EXPOSED VOL 2
– ALL NEW COLLEGE GIRLS EXPOSED VOL 3
– ALL NEW COLLEGE GIRLS EXPOSED VOL 4
– ALL NEW COLLEGE GIRLS EXPOSED VOL 5
– ALL NEW COLLEGE GIRLS EXPOSED VOL 6
– Baby Bash Live & Uncensored
– Bad Girls 2
– BEACH BABES 3
– BEHIND CLOSED DOORS
– Best Breasts Ever
– BEST BREASTS EVER 2
– Best of Blondes 2
– Celebrity Look-A-Likes
– CO-ED TRYOUTS
– CO-ED TRYOUTS 2
– CO-ED TRYOUTS 3
– DADDY’S LITTLE GIRLS
– Endless Spring Break 3
– Endless Spring Break 4
– Endless Spring Break 5
– Endless Spring Break 6
– Endless Spring Break 7
– Endless Spring Break 9
– Endless Spring Break 10
– Endless Spring Break 11
– Endless Spring Break 12
– Endless Spring Break 13
– Endless Spring Break 14
– EXTREME ORGY 1
– EXTREME ORGY 2
– EXTREME ORGY 3
– FIRST TIMERS
– FIRST TIMERS 2
– Freshman Class
– FRESHMAN ORIENTATION 1
– FRESHMAN ORIENTATION 2
– FRESHMAN ORIENTATION 3
– FRESHMAN ORIENTATION 4
– GGW – Extreme Sex
– GGW – On Tour 1
– GGW – On Tour 2
– GGW – On Tour 3
– GGW – On Tour 4
– GGW – On Tour 5
– GGW – On Tour 6
– GGW – On Tour 7
– GGW – On Tour 8
– GGW – Sweet Young Sex Maniacs
– GIRL POWER
– GIRL POWER 2
– GIRL POWER 3
– GIRL POWER 4
– GIRL POWER 5
– GIRL POWER 6
– GIRL POWER 7
– GIRL POWER 8
– GIRL POWER 8
– GIRL POWER 9
– Girls On Girls
– GIRLS WHO CRAVE SEX
– GIRLS WHO CRAVE SEX 3
– Girls Who Like Girls
– GIRLS WHO LIKE TOYS
– Horny Cheerleaders
– HORNY SCHOOL GIRLS
– HORNY SCHOOL GIRLS 2
– HORNY SCHOOL GIRLS 3 (PRIVATE TAPES)
– HORNY SCHOOL GIRLS 4
– Hottest Texas Coeds
– ISLAND ORGY
– MARDI GRAS INVASION
– My 18th Birthday
– Road Trip
– ROCKS AMERICA
– Sex Race
– SEX STARVED COLLEGE GIRLS 2
– SEX STARVED COLLEGE GIRLS 3
– SEX STARVED COLLEGE GIRLS 4
– SEX STARVED COLLEGE GIRLS 5
– SEX STARVED COLLEGE GIRLS 6
– SEX STARVED COLLEGE GIRLS 7
– SEX STARVED PANTY RAID
– Sexiest Moments Ever
– Sexiest Moments Ever 2
– SORORITY GIRL ORGY
– SORORITY GIRL ORGY 2
– SORORITY GIRL ORGY 3
– SORORITY GIRL ORGY 4
– Spring Break 2007
– SPRING BREAK SEX RIOT
– The Perfect Pair
– THE SEIZED VIDEO
– Ultimate Rush
– Usually a siterip or a torrent containing 25+ titles.
– Wild World
– Wildest Bar in America

Giant Media Group, Inc. DBA Devil’s Film (they have changed this name more than once, but have kept the “Devil’s Film” trade name.)
– Ass Full Of Cum 4
– Best Of Gangland Cream Pie
– Cum On My Hairy Pussy 2
– Cum On My Hairy Pussy 16
– Don’t Tell My Wife I Buttfucked Her Best Friend
– Gangland 70
– Gangland 85
– Gangland Cream Pie 24
– Gangland Cream Pie 25
– Gangland Cream Pie 26
– Gangland Cream Pie 27
– Gangland Cream Pie 28
– I Wanna Buttfuck Your Daughter 10
– My Wife Caught Me Assfucking Her Mother
– My Wife Caught Me Assfucking Her Mother 2
– My Wife Caught Me Assfucking Her Mother 5

Girlfriends Films Inc.
– I Dream of Jo 4 True Passion
– Mother Daughter Exchange Club 27
– Poor Little Shyla 2
– Tides of Lust
– Lesbian First Timers
– Lesbian Seductions 46

Intense Industries
– Fucking Your Socks Off

JM Productions Inc.
– Suck Off Races 3

JW Releasing Ltd
– Kinky Business

Kick Ass Pictures Inc.
– Foot Fetish Daily 9

LFP Internet Group, LLC DBA Hustler
– Barely Legal 2
– Barely Legal 16
– Barely Legal 19
– Barely Legal 84
– Barely Legal 100
– Barely Legal 127
– Barely Legal 128
– Barely Legal 131
– Barely Legal 134
– Barely Legal 138
– Barely Legal 139
– Barely Legal 140
– Barely Legal Little Runaways
– Barely Legal: All Stars 5
– New Wave Hookers
– The Opening of Misty Beethoven
– This Ain’t Game of Thrones

Manwin Content RK Limited DBA Reality Kings (now known as “MG Content RK Limited”)
– 2 For 1 Pink
– A Lavish Load
– Belle Bottom
– Bouncing Deluca (Big Naturals; Angel Deluca)
– Cum Hard
– Dirty Minds
– Full Figure (Monster Curves; Katie Banks)
– Getting Hardy
– Girlfriends Revenge (GF Revenge 6)
– Hello Alexis
– Leather and Lace
– Licking Lessons – Jasmine Wolff (Moms Bang Teens 2013-12-30)
– Naughty Kennedy – Kennedy Leigh (Moms Bang Teens 2014-01-20)
– Pussy Love (Money Talks – Esmi & Lily)
– Riding Riley
– Ripping Through
– Sexy All Star
– Sexy Stella
– Sweet Veronica
– Tits and Hips
– Ass In Heels – Angell Summers (EuroSexParties 2013-05-30)
– Busty Bikini Babes 1
– Finger Licking Good
– Lick It

Manwin DP Corp. DBA Digital Playground
– Bad Girls 5
– Bad Girls 6
– Bridesmaids
– Code of Honor
– Don’t Fuck My Sister
– For Sale
– Island Fever 2
– Island Fever 3
– Jack Attack 4
– Jack’s POV 2
– Jack’s POV 3
– Jack’s POV 5
– Jack’s POV 7
– Jack’s POV 8
– Jack’s POV 10
– Jack’s POV 12
– Jack’s POV 15
– JACK’S POV 19
– Jesse Jane Fuck Fantasy
– Jesse Jane Kiss Kiss
– Lost and Found
– Nurses
– Pink Slip
– Pirates
– Raven Alexis The Substitute
– Riley Steele Deceptions
– Riley Steele Satisfaction
– The Girlfriend Exchange
– Titlicious 2
– Top Guns
– unSEXpected
– Web Whore
– WHEN DADDY’S AWAY

Marc Dorcel
– Cathy 40 (Cheating Housewife)
– WIFE NEXT DOOR

Marc Dorcel DBA SBO Pictures, Inc.
– Orgy Anthology

SBO Pictures DBA Vouyer Media
– Jack In Me POV 2

SBO Pictures DBA Wicked Pictures
– Daddy Did The Babysitter
– I Was a Mail Order Bride
– Octomom: Home Alone
– Selfies
– Spacenuts
– Teen Ravers

Metro Media Entertainment
– Cute Little Asses

Millennium TGA, DBA Grooby Productions
– Buddy Wood’s Shemale Bedtime Stories

New Sensations Inc.
– Almost Heaven
– Anal Sex Secrets
– Ashlynn Brooke Is Sexy
– Big Bang Theory A XXX Parody
– Big Girls Are Sexy #3
– Double D Vixens
– Friends A Xxx Parody
– I Can’t Believe I’m Doing This (Zeina Heart)
– I Love Asians 11
– I Love Asians 5
– Redheads Are Sexy #5
– Sexy Student Bodies`
– WKRP in Cincinnati: A XXX Parody
– Young Girls With Big Tits 10

Patrick Collins Inc., DBA Elegant Angel
– Alexis Texas Is Buttwoman
– Big Wet Asses #3
– Big Wet Asses #6
– Big Wet Asses #7
– Big Wet Asses 16
– Cuties 4
– It’s A Daddy Thing!
– It’s A Secretary Thing!
– It’s A Secretary Thing! 2
– Massive Facials 5
– Performers Of The Year 2014
– Real Female Orgasms 10
– The A Line
– The Bombshells 5
– The Greatest Squirters Ever! 4

Pleasure Productions Inc.
– Wild Honey 2 (Tera Patrick)

RLD Distribution LLC
– Girls Of Red Light District – Sasha Grey
– I Bang Teens (Megan Salinas)
– White Dicks Black Chicks

Second Phase Distribution Inc.
– Big Butt All Stars – Crystal Clear
– Mama Turned Me Out 3
– Mama Turned Me Out 4
– Mama Turned Me Out 5
– Pigtail Virgins

Third Degree Films, Inc.
– Big Boob Orgy 2
– Curve Appeal
– Illegal Ass 2
– Laid In Lingerie 2
– Laid in Lingerie 3
– Spunk’d 7
– Spunk’d 8
– Top Ten 2

Vivid Entertainment LLC
– Farrah 2 Backdoor and More
– Farrah Superstar: Backdoor Teen Mom
– Kim Kardashian Superstar
– Raven Alexis Unleashed
– Raylene’s Dirty Work
– Tera, Tera, Tera (Tera Patrick)
– Tila Tequila Backdoored and Squirting
– Tristan Taormino’s Expert Guide to the G-Spot

White Ghetto Films Inc.
– Group Sex Junkies

Zero Tolerance Entertainment
– Dr. Ava’s Guide to Sensual BDSM For Couples
– Is Your Mother Home?

Now obviously you will notice a common theme along each of these copyright holders, and that is the “genre” of content they all produce. You will also notice that in this list there are “copyright trolls,” (meaning, companies who in the past have used or use the federal courts to sue individual downloaders for copyright infringement) and there are “not” copyright trolls (meaning, companies who have NOT sued defendants for copyright infringement). You can see which are copyright trolls by either searching the web for their name, or doing a search on PACER or JUSTIA to see whether they have sued in federal court.

A few things to note.

1) Many of the larger companies have multiple websites, and do business as multiple entities. For example, Froytal Services Ltd. “does business as” (“DBA”) Mofos and Brazzers (corresponding to their Mofos.com and Brazzers.com websites).

2) Many copyright holders are OLDER COMPANIES and FAMILY OPERATED BUSINESSES. This means that it is common to have former porn companies hire CEG TEK to track and send letters for “vintage” films from the 1970’s and 1980’s. The copyrights for these films ARE STILL IN EFFECT, and the former owners of those companies are now elder individuals who are now enforcing their copyrights from FORTY YEARS AGO. On the flip side, many older couples have been caught downloading a film from their youth thinking that since the titles were so old, it was probably legal to do so.

In sum, all I ask of everyone is to understand that the bittorrent networks are no longer safe, and when you download something, assume someone else is watching you. And, be aware that there are companies out there like RIGHTS ENFORCEMENT who are lurking in the bittorrent swarms waiting for you to click on a link so that they can send you a settlement demand letter.


CONTACT FORM: If you have a question or comment about what I have written, and you want to keep it *for my eyes only*, please feel free to use the form below. The information you post will be e-mailed to me, and I will be happy to respond.

NOTE: No attorney client relationship is established by sending this form, and while the attorney-client privilege (which keeps everything that you share confidential and private) attaches immediately when you contact me, I do not become your attorney until we sign a contract together.  That being said, please do not state anything “incriminating” about your case when using this form, or more practically, in any e-mail.

Why I Believe the MPAA/RIAA Schemed to Break Copyright Law

Yesterday, I spent most of the day writing articles for the blog.  My two priorities for the day were 1) to get articles out on RIGHTS ENFORCEMENT (focusing on how they differ from what I wrote about CEG-TEK), and 2) to write about the great merging of the porn and movie industry to break copyright law.

THE RIGHTS ENFORCEMENT ARTICLES FOCUSED ON HOW THEY DIFFER FROM CEG-TEK.

Getting articles out on RIGHTS ENFORCEMENT was my first priority, specifically, because so many people were going to the old CEG-TEK articles, and I did not want to give my readers a false sense of security based on what I wrote about those same topics as they applied to the CEG-TEK entity.

RIGHTS ENFORCEMENT should be considered a hostile copyright troll (analogous to a John Steele / Prenda-level troll because their beliefs about law and ‘pirates’ mirror each other).  I have abstained from commenting on the personality of Carl Crowell (the owner of RIGHTS ENFORCEMENT and the likely puppet master behind all of the adult film and movie “John Doe” bittorrent lawsuits filed across the US).  However, I meant it when I said that one should expect tactics of using very illegal, but untraceable means to violate the security of your computer when you log into his site in order to gain leverage over you and scare you into paying a settlement.

Why do I think Crowell would break the law just as John Steele did to achieve his goals?  Attorneys that powerful (if not already corrupt) become corrupted, and I have too often seen them develop a sense of invincibility to the law.  After crossing one grey line after another, they ultimately end up breaking the law thinking that they will never be caught.  This is what happened to John Steele, and this is what I am guessing will eventually happen to the Carl Crowell.

HERE IS WHAT I KNOW ABOUT THE RIGHTS ENFORCEMENT CASES.  ALL ARTICLES POSTED WERE OFFSHOOTS OF TOPICS FROM THIS ARTICLE.

You should expect that RIGHTS ENFORCEMENT will likely be treating cases differently than CEG-TEK did, so I did not want people to get the wrong impression that they were harmless, as CEG-TEK was (in comparison).

WHY I NOW BELIEVE THAT THE MPAA/RIAA COLLUDED WITH THE PORN COMPANIES TO CREATE CASE LAW IN ORDER TO BREAK COPYRIGHT LAW.

The more important topic I wrote about yesterday got shadowed by my other articles.  That topic was how the MPAA/RIAA appears to have colluded with the adult film / porn companies with the intent of breaking copyright law.

HERE IS WHY I THINK THAT THE MPAA/RIAA IS BEHIND THE ADULT FILM LAWSUITS WE HAVE SEEN OVER THE LAST SEVEN YEARS.

I started the Cashman Law Firm, PLLC in 2010, just as the MPAA/RIAA lawsuits became quiet. I always wondered where they went, and why they stopped suing defendants.

Now based upon the explicit ‘coming together’ of the adult film companies, the movie companies, and now Rightscorp under the leadership of Carl Crowell, his network of attorneys filing Guardaley-backed bittorrent lawsuits across the US, and now the appearance of his RIGHTS ENFORCEMENT company, the merging of what were thought to be separate entities demonstrates that perhaps they weren’t so separate as we thought they were.

WHY I THINK THAT THE MOVIE INDUSTRY AND THE PORN INDUSTRY WERE IN COLLUSION

With the appearance of the RIGHTS ENFORCEMENT entity, I couldn’t help but to think that 1) EITHER CARL CROWELL IS A GENIUS ATTORNEY WHO HAS MERGED THE TWO VERY SEPARATE FACTIONS — MOVIE-BASED COPYRIGHT TROLLS, and PORNOGRAPHY-BASED COPYRIGHT TROLLS, or 2) CARL CROWELL IS MERELY A FIGUREHEAD, A PATSY.

Reading what I have learned about this man, I cannot believe that he is a genius who has united the separate entities of movie lawsuits and porn lawsuits.  This is just too big of a project for one man.  Rather, I think Carl Crowell is the figurehead replaced by some entity behind the scenes when the relationship between this Guardaley-backed ‘investor’ and Keith Lipscomb soured in April of 2016.

REMEMBER — WHEN LIPSCOMB AND MALIBU MEDIA LLC PARTED WAYS, LIPSCOMB AND GUARDALEY ALSO PARTED WAYS.  MALIBU MEDIA LLC CONTINUED FILING LAWSUITS WITH THEIR GUARDALEY-BACKED ENTITY AS THE BOSS, CLAIMING, “WE HAVE A NEW INVESTOR.”  ONLY THEN WAS CARL CROWELL INSTALLED AS THE HEAD OF THE GUARDALEY-BACKED SET OF LAWSUITS.

Thus, it occurred to me that Carl Crowell is not the one behind everything, but he is merely their “figurehead / fall guy” answering to some higher entity (just as Lipscomb was the “figurehead / fall guy” to some higher entity for all of the porn-based lawsuits filed since 2010, and just as Paul Duffy of Prenda Law Inc. (R.I.P.) was the “figurehead / fall guy” installed by John Steele).  [It would be interesting to learn whether John Steele TOO answered to some higher entity, because he too fits the profile I am about to describe.]  Each of these guys came out of nowhere into positions of extreme power, and with the exception of Lipscomb, each of these guys reminded me of drunk fraternity guys who showed up to work in a stretched and torn football jersey, shorts, and a hangover.

HOW I ARRIVED AT THE CONCLUSION THAT THE MOVIE AND PORN INDUSTRY ARE WORKING TOGETHER TO BREAK COPYRIGHT LAW

In the context of researching the ME2 cases (already noting that there was a connection between a number of movie cases [ME2/COOK/CELL/SEPTEMBER/I.T.], specifically, that the same attorneys were filing the same set of lawsuits across the US), I wrote a side article explaining “the evolution of piracy,” (an innocuous post).  In that post, it occurred to me that “it would be just too terrible” if there was collusion between the movie industry and the porn industry.

A few days later, I noticed in my website’s analytics that people were rushing to view my CEG-TEK articles, and I could not figure out why (CEG-TEK was no longer sending out letter to John Doe Defendants).  From there, I learned about Carl Crowell (who I previously ignored as being a nobody) and his RIGHTS ENFORCEMENT entity, which demonstrated that there was a connection between the movie industry and the porn industry.

It was then when I saw that Carl Crowell’s RIGHTS ENFORCEMENT entity represented both the mainstream movie companies (the ME2 / COOK PRODUCTIONS / I.T. PRODUCTIONS connection I was already looking for), and from my own website analytics and follow-up research, learning that RIGHTS ENFORCEMENT was also sending out notices for CEG-TEK’s old porn company clients that I made the connection that perhaps there was a relationship between the porn and movie industry.

Then I remembered the Guardaley connection years back when representing clients in the Dallas Buyers Club, LLC cases, and it occurred to me that some entity connected with Guardaley is behind both the porn-based lawsuits AND the movie-based lawsuits, but why?  That is where I learned that Rightscorp (the MPAA/RIAA also joined with Carl Crowell), and the connection made sense.  Through some common entity or ‘investor’, both the movie companies and the adult film companies are having their lawsuits funded.  Then it occurred to me how convenient it would have been for that investor to be the MPAA/RIAA, especially considering the millions they are pouring into Rightscorp (a sinking ship), just as they spent [I believe] hundreds of millions on lawsuits for copyright infringement shortly before I started my Cashman Law Firm, PLLC in 2010.

I always wondered why all of a sudden in 2010, the MPAA/RIAA stopped filing the copyright infringement lawsuits.  Now, I am starting to understand that if I am correct about the MPAA/RIAA being the entity behind the adult film lawsuits, they never did stop their activities.  Rather, they just devised a clever scheme to get the porn industry to file lawsuits and blaze the trail to create case law across the US (because most pornography-based defendants do not fight back, and judges laugh when they see the explicit porn titles sued upon, and through this uncomfortable laugh, judges undermine their legal sense and allow the ‘repressed, stigma-based industry’ to proceed with protecting their rights to sue “just like everyone else.”).  As a result of having the porn companies file the lawsuits across the US, IF what is unfolding ends up being true, then the MPAA/RIAA schemed to break copyright infringement law so that they can come back seven years later and start filing lawsuits, but now, with a “lower bar” and relaxed legal standards.


CONTACT FORM: If you have a question or comment about what I have written, and you want to keep it *for my eyes only*, please feel free to use the form below. The information you post will be e-mailed to me, and I will be happy to respond.

NOTE: No attorney client relationship is established by sending this form, and while the attorney-client privilege (which keeps everything that you share confidential and private) attaches immediately when you contact me, I do not become your attorney until we sign a contract together.  That being said, please do not state anything “incriminating” about your case when using this form, or more practically, in any e-mail.

SHOULD I IGNORE A “RIGHTSENFORCEMENT.COM” DMCA NOTICE?

In short, the answer is clearly NO (and I have a good reason for this answer which is not meant to scare you).

[This article is a continuation of the “WHAT DO I KNOW ABOUT RIGHTS ENFORCEMENT” article.  It made sense to separate out the topics and keep them short and to the point.]

With CEG-TEK, when someone asked “what are my chances of being sued if I ignore,” I would have told you “LOW,” because CEG-TEK typically did not file lawsuits if a recipient of one of their “DMCA scare letters” was ignored.  RIGHTS ENFORCEMENT IS DIFFERENT.

Because Carl Crowell (the puppet master behind the RIGHTS ENFORCEMENT site) is an active ‘copyright troll’ himself, AND BECAUSE HE HAS A TEAM OF ‘COPYRIGHT TROLLS’ ACROSS THE U.S. WHO ARE ACTIVELY SUING DEFENDANTS, I would likely suggest that the chances of being sued are “VERY HIGH.”  Again, this is not to scare you, but it is based on simple logic.


CONTACT FORM: If you have a question or comment about what I have written, and you want to keep it *for my eyes only*, please feel free to use the form below. The information you post will be e-mailed to me, and I will be happy to respond.

NOTE: No attorney client relationship is established by sending this form, and while the attorney-client privilege (which keeps everything that you share confidential and private) attaches immediately when you contact me, I do not become your attorney until we sign a contract together.  That being said, please do not state anything “incriminating” about your case when using this form, or more practically, in any e-mail.

WHAT IF MY RIGHTS ENFORCEMENT DMCA NOTICE DUE DATE EXPIRED?

*IT IS NOT TOO LATE.*  If the DMCA notice that you received and/or ignored or threw in the trash has expired, the copyright holders have THREE YEARS from the alleged date of infringement to file a lawsuit against you in a federal court.  So there is time to solve the problem, if it has not already escalated into a lawsuit.

[This article is a continuation of the “WHAT DO I KNOW ABOUT RIGHTS ENFORCEMENT” article.  It made sense to separate out the topics and keep them short and to the point.]

If the DMCA notice had a deadline which has expired, since RIGHTS ENFORCEMENT is a knock-off of the CEG-TEK system, my best guess is that following the expiration of whatever date you were given in your notice (likely 30 days), a second letter will be forwarded over to you stating that “because you did not settle, now we want $3,500 for that one title,” or whatever they are asking for.  This too can be negotiated by an attorney.

NOTE: Why $3,500?  Marvin Cable used to ask for $1,850, if I remember correctly, and that was back in 2012.  Also, CEG-TEK’s business model was not to sue anyone, so their settlement letters lacked ‘teeth’.  However, RIGHTS ENFORCEMENT settlement letters are made with an explicit threat that they will follow-up with a lawsuit against the internet subscriber of your account if you do not settle.  For this reason — because their threats have ‘teeth’ — you can expect to see higher follow-up settlement amounts, akin to a settlement if a lawsuit were filed.


CONTACT FORM: If you have a question or comment about what I have written, and you want to keep it *for my eyes only*, please feel free to use the form below. The information you post will be e-mailed to me, and I will be happy to respond.

NOTE: No attorney client relationship is established by sending this form, and while the attorney-client privilege (which keeps everything that you share confidential and private) attaches immediately when you contact me, I do not become your attorney until we sign a contract together.  That being said, please do not state anything “incriminating” about your case when using this form, or more practically, in any e-mail.